Every time I see some gamerbro edit of a female video game character to make her 'prettier', I always see something I have mentally dubbed Cockroach Wife Syndrome (in honor of the guy who accidentally conditioned himself to only be aroused by a fantasy of his cockroach wife Ogtha).
That is to say, there is a certain subset of gamerbro who interacts so rarely with real women, that his primary touchstone for how women look is fiction: often video games and anime. So when a video game woman looks too realistic--too close to having traits that one might find in real flesh and blood women--this is foreign to them. This is unattractive. They have been jacking it to hentai and blender animation porn for too many years, and have inadvertently conditioned themselves to only be sexually aroused by the exaggerated cartoonish traits of animated women.
So now every time I see one such edit, I can't help but think. My. What a coincidence you've made her look more like an anime waifu. Truly dedicated to your cockroach wife.
You can’t just breeze over something like “the guy who accidentally conditioned himself to only be aroused by a fantasy of his cockroach wife Ogtha” without at least linking a 20 minute video breakdown of this man’s descent into madness.
Oh is Ogtha not common knowledge? Eight years ago this was posted on reddit:
Two years ago, we got this update on the life of this roachfucker:
TLDR it's a guy who became obsessed with human-sized roaches with human intelligence after reading Kafka in high school, an obsession which eventually came to monopolize his romantic interests (and has sporadically had catastrophic impacts on his life ever since).

what the fuck happened to my post
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.

Then she puts her hair up, and her face lights up.

“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:

And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.)
“Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
Source: How Hollywood heartthrobs and Steven Spielberg helped make a drag queen cult classic
a monumental film in the library of queer history.
it was formative for modern society, too.
there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.
we’re all just people.
snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.
This is a HUGE reblog but I watched this as a little girl on cable TV and I’m so glad I did. GO WATCH THIS AS SOON AS YOU CAN
I’d love it if To Wong Foo was inescapably broadcast once a year, like A Christmas Story.
For every terf that sends me anon hate, I just reblog this post again.

again i want to say that non-queer and non-trans actors (although first of all, it is not up to you or me to write that identity for or over people we have never met and do not owe it to us) are fucking important. A lot of these actors have taken career hits. They’ve taken hits for the queer community because they could stand to take hits that we could not.
and i am so fucking grateful for these people and i’m grateful when we can do re-makes, but never forget that we are able to do those because others took shots that were intended for us. and that we have taken shots in the past.
and nobody owes you their identity. It is utterly insane to ask actors to disclose their sexuality or gender to play a character on the screen. it is utterly important to cast queer and trans people and to have that representation. these thoughts can and do coexist.
A little on Sister Boom Boom, the very real Sister of Perpetual Indulgence who Snipes portrayed on stage.
A housewife takes a lover during the day, while her husband is at work. Not aware that 9 year old son was hiding in the closet. Her husband came home unexpectedly, so she hid her lover in the closet. The boy now has company.
Boy: ‟Dark in here.”
Man: ‟Yes it is.”
Boy: ‟I have a baseball.”
Man: ‟That’s nice.”
Boy: ‟Want to buy it?”
Man: ‟No, thanks.”
Boy: ‟That’s my dad outside.”
Man: ‟How much did you say the baseball was again?”
Boy: ‟$250.”
In the next few weeks, it happens again that the boy and the mom’s lover are in the closet together.
Boy: ‟Dark in here.”
Man: ‟Yes, it is..”
Boy: ‟I have a baseball glove.”
Man: ‟That’s nice.”
Boy: ‟Want to buy it?”
Man: ‟No, thanks.”
Boy: ‟I think I just remembered something I needed to tell my dad.”
Man: ‟How much did you say the glove was again?”
Boy: ‟$750.”
Man: ‟Fine.”
A few days later, the father says to the boy, ‟Grab your glove. Let’s go outside and toss the baseball!”
The boy says, ‟I can’t. I sold them.”
The father asks, ‟How much did you sell them for?”
The son says, ‟$1,000.”
The father says, ‟It’s terrible to over-charge your friends like that. That is way more than those two things cost. I’m going to take you to church and make you confess.”
They go to church and the father alerts the priest and makes the little boy sit in the confession booth and closes the door.
The boy says, ‟Dark in here.”
The priest says, ‟Do not start that shit again.”

JEFF WE TALKED ABOUT THIS
I graduated high school in 99.
There was a student at our school named Wayne.
Wayne was gay. It was obvious. He was unable to stay in the closet even if he wanted to. To make matters worse, he was also Black. From a bullying standpoint, that was not a great combo. Both Black and white students made fun of him relentlessly. He was ostracized from the only community that may have given him protection. Only us theater kids stuck up for him, but not to significant effect.
Wayne was bullied so much that at one point he finally snapped and attacked his bullies with a lunch tray. I was actually seated in perfect line of sight and just sat there chewing my soggy fries in stunned silence. It didn't even seem real as I was witnessing it. The image of him wailing on his main bully as the food on his tray flew off is permanently logged into my long term memory.
The bully he attacked had blood all over his face and went straight to the nurse. Other than superficial cuts, he was not injured.
Before the attack, Wayne went to teachers for help.
He went to guidance counselors for help.
He went to the principals for help.
He did all of the things you were supposed to do. No one helped him. They wagged a finger at the bullies and warned them to stop.
Wayne's lunch tray melee was the only thing that worked. His bullies stayed far away from him. But a week later Wayne was expelled and the bullies were given no punishment.
So... no.
No one in my school talked about being trans.
Because the only way to survive being openly queer was to bash people with a lunch tray.
Graduated high school in 1990. There was one guy in my class who was bullied and called gay because... he liked wearing eyeliner. That's it. he had a girlfriend. He's still, afaik, straight and cis. But he wore one item of makeup and had a fashion sense and that was enough. I left my small town and went to college at an extremely liberal private college and immediately met trans and gay and bisexual and lesbian people and started considering my own identity, which it had not been safe to do AT ALL in high school.
And later learned that a number of people I'd known in high school were queer. By later, I mean 20 years later when we all found each other on facebook.
Kids started calling me a "lesbo" on the playground and beating me up for it while I was in elementary school. I became "boy crazy" as a form of self defense. If I was a slut, at least I wasn't a dyke.
It was a joke in my family that my youngest sibling hated dresses, which of course were mandatory for "girls." Ha ha, it's funny, ha ha. Because of course we just have to put up with wearing dresses.
That's my brother. Jake. He graduated from HS in 2001.
Fuck that asshole. We broke ourselves trying to survive. Some of us didn't.

If you were in the UK, there was a little thing called Section 28 that made it illegal for schools to discuss "homosexually" (which was the catch all for any non-het, non-cis identity) in a positive light. Three internet wasn't an easily accessible thing yet, and positive representation in the media vanishingly rare. Many of us who have grown up to be some variety of queer literally did not know there were options beyond Gay Man (predatory or tragic, will be dead from AIDS by 30), Lesbian (ugly and shrill, always predatory) or Transvestite (see Gay Man but more laughable).
Aside from similar experiencing similar levels of violence and ostracisation to those described by previous posters, would my mental health been better had I known I was bisexual and genderqueer at 15 (rather than 28 and 39 respectively) instead of being keenly aware that I was Doing Woman Wrong despite trying Really Hard to be normal and not sure how I was still failing? Almost certainly.
Do I remember Eddie Izzard describing herself in the mid 90s as "a lesbian with a man's body" and feeling a strong sense of kinship, albeit the other way around, and then immediately dismissing it because female "transvestites" didn't exist, so I guess I couldn't feel like that? Painfully.
So why didn't you get kids coming out at trans prior to 2000? Because if we weren't getting any non-conformity beaten out of us by peers/teachers/parents, we were beating it out of ourselves thinking we were the only ones who felt like this so it could be real.

Yall are talking 2000 and earlier but ik kids at my fucking school who are too terrfied to come out bc they're in a bad class.
I spent middle school clutching my identity in secret because if it came out I was more then a emo girl with funky colored hair we'd be fucking dead. Litterly.
We went to a good school, in a big-ish city. Our current school is considred one of the queerest, and yet we can still point out each and every closeted person we only know to be trans because they've confided in us.
Its still like this. It's better, but it's never been the time. It's been that if we come out, we're fucking dead.
Graduated high school in 1996. One of the first people I met in the school who wasn't awful to me was a splendid, but awkward individual who took me home and handed me off to their big sister as a more suitable mentor for a weird, loud, mouthy little baby lesbian.
Said person was several grades ahead of me, and graduated long before I did, but I remained very close with the sister.
Said person fully transitioned the minute we were all out of high school, and he was my manager at my first full-time office job. No, he never talked about being trans on campus. He would have been beaten to death by the other students. But he was trans, and the minute he could live his truth, he did.
I graduated high school in 99.
There was a student at our school named Wayne.
Wayne was gay. It was obvious. He was unable to stay in the closet even if he wanted to. To make matters worse, he was also Black. From a bullying standpoint, that was not a great combo. Both Black and white students made fun of him relentlessly. He was ostracized from the only community that may have given him protection. Only us theater kids stuck up for him, but not to significant effect.
Wayne was bullied so much that at one point he finally snapped and attacked his bullies with a lunch tray. I was actually seated in perfect line of sight and just sat there chewing my soggy fries in stunned silence. It didn't even seem real as I was witnessing it. The image of him wailing on his main bully as the food on his tray flew off is permanently logged into my long term memory.
The bully he attacked had blood all over his face and went straight to the nurse. Other than superficial cuts, he was not injured.
Before the attack, Wayne went to teachers for help.
He went to guidance counselors for help.
He went to the principals for help.
He did all of the things you were supposed to do. No one helped him. They wagged a finger at the bullies and warned them to stop.
Wayne's lunch tray melee was the only thing that worked. His bullies stayed far away from him. But a week later Wayne was expelled and the bullies were given no punishment.
So... no.
No one in my school talked about being trans.
Because the only way to survive being openly queer was to bash people with a lunch tray.
my brother started calling our cat "doobie brother" which he then lengthened to "dubious brother" and has since morphed into "brother dubious" like he's some sort of fucked up little monk
You don’t have to have a heart to know that Hart Hanson is a visionary.
This is really how most DND encounters get solved, honestly
for a while there i was sympathetic to tumblr because of how much they’re in debt; i was kind of like “well of course they’re absolutely desperate for new users, they literally need the money or else tumblr goes down forever”. and then suddenly today it hit me that there’s actually no fucking reason for that debt to be causing these ui changes? the userbase has been INCREDIBLY clear about what they want from tumblr over the years, not to mention clear about the fact that even twitter people don’t need this place to look like twitter. it actually would be very… EASY? for them to just make changes in a direction people would actually be HAPPY with?
for fuck’s sake there were people trying to organize a “crab day” for tumblr despite tumblr doing nothing but telling us to go fuck ourselves for months on end. there were people spending hundreds of dollars on check marks just for the glee of MAKING FUN of twitter. can you IMAGINE how much money this userbase would donate to tumblr if they actually made ui updates geared toward what people have been asking for?
if tumblr actually crowdsourced ideas or even just LISTENED to their userbase it may have been possible for them to make way more money than they’re begging for now, they just insist on trying to drive their actual demographic and loyal userbase out for literally no reason
They are doing surveys that are really hard to find because their survey blog has reblogs disabled for some reason.
Log survey: https://www.surveymonkey.com/r/2V3MQTP
Short survey: https://www.surveymonkey.com/r/HS5LP3W
Blog: https://www.tumblr.com/benevolenthellsite

Good for this person. This is exactly what you do. Screw the job.
I had a job that made me work an all nighter, 30 hours straight, over Thanksgiving. I resigned that Monday and it was one of the most satisfying decisions I’ve ever made.
Please pay attention to all the manipulation tactics this boss uses, because they’re pulling out every trick in the book.
This is like a 101 course in how employers use guilt trips to coerce you into putting up with their bullshit. This is precisely why you should never trust those employers who insist that they’re “like a family.” They are not. It’s just a ruse so that your boss can neg you into putting your job ahead of your actual life.